On February 5, 2016 the Link Art Center launched Dadaclub.online, an online archive and creative platform meant to celebrate the dada legacy in the centenary of dada’s birth, that took place in Zurich on February 5, 1916. Dadaclub.online is a place for ongoing experimentation and the creative reuse of digital copies of original dada artworks. The website offers, in public domain, high quality digital copies and some 3D models of a selection of dada artworks. Everybody is invited to browse the archive, download their favorite items, use them in their own work, and submit the output to be displayed in our online gallery.
January 2017 Dadaclub.online Monthly Feature is dadarchy, by Spanish artist Raquel Meyers. Inspired by Man Ray’s stencil Long Distance (1926), dadarchy features PETSCII characters brutalizing dada like a concrete poem. “Raw force shaped in text, flat and brutal. It’s dadarchy time!” PETSCII (PET Standard Code of Information Interchange), also known as CBM ASCII, is the character set used in Commodore Business Machines (CBM)’s 8-bit home computers, starting with the PET from 1977.
Raquel Meyers is a Spanish artist based in Sweden who defines her practice as KYBDslöjd (drawing by Type In), a brutalist storytelling about technology and keystrokes where text is used unadorned and roughcast, like concrete. Brutalism has an unfortunate reputation of evoking a raw dystopia and KYBDslöjd evokes an “object of nostalgia”. But nostalgic, retro, obsolete or limited are rhetoric qualities earn by constant repetition. We live in a time where hardware and software become obsolete before most of the users have learned how to use them or disappear into pure functionality. The obedience to standards has made us passive observers and consumers.
Since 2004 Meyers has performed at festivals like Transmediale, Fylkingen, Piksel, Mapping, MFRU, HeK, or Cimatics, at 8bit events like Tokyo Blip Festival and the Playlist exhibition, as well at Liste Art Fair Basel, Xpo Gallery, Click New Media Arts Festival, Alt_Cph, LABoral, FILE and iMAL, among others. In 2016, Meyers has been artist in residence at Le Shadok, Strasbourg, where her first solo show has been organized in collaboration with the Strasbourg European Fantastic Film Festival.